Against Creative Writing
Description
by Andrew Cowan (Author) 
The
 rise of Creative Writing has been accompanied from the start by two 
questions: can it be taught, and should it be taught? This scepticism is
 sometimes shared even by those who teach it, who often find themselves 
split between two contradictory identities: the artistic and the 
academic. Against Creative Writing
 explores the difference between ‘writing’, which is what writers do, 
and Creative Writing, which is the instrumentalisation of what writers 
do.
Beginning with the question of 
whether writing can or ought to be taught, it looks in turn at the 
justifications for BA, MA, and PhD courses, and concludes with the 
divided role of the writer who teaches. It argues in favour of Creative 
Writing as a form of hands-on literary education at undergraduate level 
and a form of literary apprenticeship at graduate level, especially in 
widening access to new voices. It argues against those forms of Creative
 Writing that lose sight of literary values – as seen in the 
proliferation of curricular couplings with non-literary subjects, or the
 increasing emphasis on developing skills for future employment. 
Against Creative Writing, written by a writer, is addressed to other writers, inside or outside the academy, at undergraduate or graduate level, whether ‘creative’ or ‘critical’.